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it is here that the GBV sound really begins to coalesce
and ‘The Great Big NO’
Produced by Jack Clement (Charley Pride
the idiom and architecture does not impede the visceral
SLY STONE I’m Just Like You: Sly’s Stone Flower 1969-70 (color) punk it is here that theIn 1970, The Family Stone were at the peak of their popularity, but the maestro Sly Stone had already moved his head to a completely different space. The first evidence of Slys musical about turn was revealed by the small catalog of his new label, Stone Flower: a pioneering, peculiar, minimal electro funk sound that unfolded over just four seven inch singles.
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