SUMAC and Moor Mother - The Film CD 314 528 950-1 Crashing dirty carnage somewhere between

Crashing dirty carnage somewhere between Neuroot

electronic drums and bass guitar

And though he would not speak to journalists about his two solo piano records for many years

In a weird way the album most immediately recalls Jon Gibson’s ‘Visitations’ or in parts even Steve Reich’s ‘Drumming’ (but without the maths)

SUMAC and Moor Mother - The Film CD 314 528 950-1 Crashing dirty carnage somewhere betweenWhat happens when you combine SUMAC: a band that uses the volume, distortion, and guitar centric approach of metal to make music that has the malleability of jazz and textural exploration of noise with Moor Mother: a poet and sound artist that has deconstructed hip hop to a point where it's less about rhyme and rhythm (though obviously both are present in her work) and more about oratorical cadence and power? The Film is an album that takes attributes